by WaterStone Review | Jul 15, 2025 | blog: all
In The Field: Conversations With Our Contributors—Marc Nieson Your story “American Standards” involves a man balancing his daily corporate job, his aging mother, and his newish relationship. What sparked the creation of this story? Aptly, this story’s ‘spark’...
by WaterStone Review | Jul 2, 2025 | blog: all
In The Field: Conversations With Our Contributors—G C Waldrep Your poems, “Night 410” and “Night 550” are from a work titled Plague Nights. What does Plague Nights entail? As with every other writer and artist I know, the lockdowns of...
by WaterStone Review | Jun 24, 2025 | blog: all
In The Field: Conversations With Our Contributors—Carla Panciera Your poem “Smart Girls Always Have a Plan” blends math and myth in one of my favorite lines, “Math, after all, is one letter removed / from stories of the gods.” Where did this poem come from? What...
by WaterStone Review | Jun 19, 2025 | blog: all
In The Field: Conversations With Our Contributors—Jana-Lee Germaine “February at the Johnsons’” is about a woman going through a divorce. Where did this poem come from? I was right out of college when I married for the first time. It was a disaster, an...
by WaterStone Review | Jun 11, 2025 | blog: all
In The Field: Conversations With Our Contributors—Cristina Herrera Mezgravis Where did your inspiration for your fiction piece, “Ninina,” come from? I drew inspiration for “Ninina” from my own relationship with different women in my life—my mother, tías, and abuelas....
by WaterStone Review | Jun 6, 2025 | blog: all
In The Field: Conversations With Our Contributors—Stephanie Early Green Your fiction piece tells the story of Sabrina, who begins a new job after the trauma of her last one where she was forced into sex work. Where did the idea of “Nojento” come from? Why did you set...
by WaterStone Review | Jun 3, 2025 | blog: all
In The Field: Conversations With Our Contributors—Sasha (Oleksandra) Lavrenchuk Your poems, “Algae” (Algae untranslated) and “Babylon,” (Babylon untranslated) blend distinctly sharp images with emotion. How have you honed your writing and editing over the years...
by WaterStone Review | May 29, 2025 | blog: all
In The Field: Conversations With Our Contributors—Janée J. Baugher Your poem, “Andrew Wyeth’s Footnotes to Goodbye My Love 2008,” blends loss and love in a unique format. What inspired this poem from the painting of Wyeth’s? What made you choose the format of...
by WaterStone Review | Apr 23, 2025 | blog: all
In The Field: Conversations With Our Contributors—Sadie Dupuis What is the story behind your poem, “Most of Last Year and the Years Before It,” that appears in Volume 27? I wrote this poem in March 2024, in response to Philadelphia mayor Cherelle Parker’s ongoing...
by WaterStone Review | Apr 16, 2025 | blog: all
In The Field: Conversations With Our Contributors—JC Talamantez Welcome back to Water~Stone! You had a piece last year, “Learning to Live With a Clockwork Orange,” in Volume 26. This year, your poem, “Half-Life of Krill,” puts oceanic and celestial imagery on...
by WaterStone Review | Apr 15, 2025 | blog: all
In The Field: Conversations With Our Contributors—Sam Stokley What was the spark behind your poem, “Ark/ee/awl/uh/gee,” that appears in Volume 27? The spark was an ancient, buried loneliness that hit me while I was at home on an average day. Other disabled people...
by WaterStone Review | Apr 9, 2025 | blog: all
In The Field: Conversations With Our Contributors—Amy Pence Your poem, “Red Oak, Black Oak” blends nature and family into a real family tree. Where did the inspiration for this piece come from? Thank you for these questions, Jenn. I wrote the poem looking out a...
by WaterStone Review | Mar 18, 2025 | blog: all
In The Field: Conversations With Our Contributors—Rob Arnold Your pair of poems, “Chimera” and “Chimera” speak to growing up, terror, and a cycle of life and death. What was the impetus for these poems? How did they evolve from single poems into a...
by WaterStone Review | Mar 11, 2025 | blog: all
In the Field: Conversations With Our Contributors—April Darcy Your fiction piece, “The Bright World,” is about a daughter losing her father to cancer, and how she’s trying to balance her own life, a complicated friendship, and caretaking. How did this story...
by WaterStone Review | Mar 5, 2025 | blog: all
In The Field—Conversations With Our Contributors: Anne Piper Your poem, “Already all the ghosts,” is a beautiful and haunting look at pre-grief. The speaker compares their past to the present, and looks ahead into the future. What made you write this poem at this...
by WaterStone Review | Feb 25, 2025 | blog: all
In The Field—Conversations With Our Contributors: Christopher Gaumer It’s always wonderful to have a graduate of our MFA program in Water~Stone! What sparked the creation of your poem, “On a Farm in Iowa?” Hi, Jenn! It’s wonderful to be close to Hamline again through...
by WaterStone Review | Feb 11, 2025 | blog: all
In The Field: Conversations With Our Contributors—Davi Gray Your poem, “Caravan of Wounds,” crafts a dramatic setting and builds a world where pain and injury are clearly visible. Where did the inspiration for this piece come from? I have consumed a lot of...
by WaterStone Review | Feb 4, 2025 | blog: all
In The Field: Conversations With Our Contributors—Samantha M. Sorenson Your work, “How to Eat an Elephant” creatively blends the idea of consuming both information and food. Can you talk about what sparked you to write this piece? The journey of writing “How to Eat an...
by WaterStone Review | Jan 29, 2025 | blog: all
In The Field: Conversations With Our Contributors—Albert Abonado Your two poems, “Romance” and “Beatitude for an Inventory of Roadkill,” are beautiful works of reclamation and loss. Where did the creation of “Romance” start? I spend my summers helping out at my...
by WaterStone Review | Nov 18, 2024 | blog: all
In The Field: Conversations With Our Contributors—MICHAEL CHANG Your poem, “Orchestra Maneuvers in the Dark,” creates an overlapping conversation and giving of information. Where did the inspiration for this poem come from? The starting point for all of my work...
