by WaterStone Review | Jan 20, 2021 | blog: all
In The Field: Conversations With Our Contributors–Alice Hatcher Your poem “Before the First Incision” in Volume 23 includes a speaker contemplating an impending surgical procedure while walking on the beach. Can you tell us a little bit about how this poem came...
by WaterStone Review | Jan 4, 2021 | blog: all
In The Field: Conversations With Our Contributors–Peter Vertacnik Your poem “The Book” in Volume 23 includes one repetitious line in each stanza that threads the narrative together. What does it say about this man that he refuses to accept separating from his...
by WaterStone Review | Dec 21, 2020 | blog: all
In The Field: Conversations With Our Contributor–Dan Malakoff Your short story “Bear No Relation” in Volume 23 involves a lot of tension simmering in the narrative. I felt so anxious watching Jane spiral! Can you tell us why you chose a political meet-and-greet...
by WaterStone Review | Dec 7, 2020 | blog: all
In The Field: Conversations With Our Contributors–Joanna Manning Your flash essay “Sweet Just Yesterday” in Volume 23 is a burst of imagery and sensory details. Can you tell us a bit about your writing process and how you kept this essay so compressed? I write...
by WaterStone Review | Nov 23, 2020 | blog: all
In The Field: Conversations With Our Contributors–Michael Kleber-Diggs Your poem “EGGSHELLS” in Volume 23 has an interesting origin story. Can you tell us about that? I have been working from home and spending a lot of time with our two dogs (miniature...
by WaterStone Review | Nov 16, 2020 | blog: all
A Conversation With Carolyn Holbrook: WSR Contributing CNF Editor Water~Stone Review has always been a collaborative project of students, faculty, and staff at Hamline University Creative Writing. In addition to working with our faculty, and to fulfill a larger...
by WaterStone Review | Nov 9, 2020 | blog: all
A Conversation With Sean Hill: WSR Contributing Poetry Editor Water~Stone Review has always been a collaborative project of students, faculty, and staff at Hamline University Creative Writing. In addition to working with our faculty, and to fulfill a larger initiative...
by WaterStone Review | Oct 26, 2020 | blog: all
In the Field: Conversations With Our Contributors–Christine Robbins In The Field is a blog series devoted to highlighting the writing life and artistic process of our contributors. This week we continue with our series now featuring contributors from our most...
by WaterStone Review | Oct 12, 2020 | blog: all
In The Field: Conversations With Our Contributors–Elizabeth Horneber Tell us about your CNF piece “Tending to Fires” in Volume 22. How did it come to be? One of the strange things about growing up is that you start to see your parents as regular people. You...
by WaterStone Review | Oct 6, 2020 | blog: all
In The Field: Conversations With Our Contributors–Stephen Eric Berry Tell us about your poem “Monster” in Volume 22. How did it come to be? For several years I have been engaged in a series of reading-response rituals based on the sonnets of Shakespeare. The...
by WaterStone Review | Sep 28, 2020 | blog: all
In The Field: Conversations With Our Contributors–Majorie Saiser Tell us about your poem “The Citrus Thief” in Volume 22. How did it come to be? One of the joys of my life is to rock back and forth to summer on the Great Plains and winter in Arizona; the plants...
by WaterStone Review | Sep 21, 2020 | blog: all
In the Field: Conversations With Our Contributors–Mitchell Jacobs Tell us about your poem “Dialogue Between Colander and Self” in Volume 22. How did it come to be? In a Middle English class, I had been comparing manuscripts of a medieval “Debate between Body and...
by WaterStone Review | Sep 14, 2020 | blog: all
In The Field: Conversations With Our Contributors–Kevin Lanahan Tell us about your cnf piece “There Is a Light” in Volume 22. How did it come to be? Years ago, a friend I’d met at the Bread Loaf writers conference visited. He was showing me sections of a...
by WaterStone Review | Sep 9, 2020 | blog: all
In the Field: Conversations With Our Contributors–Jeanette Beebe Tell us about your poem “[TK]” in Volume 22. How did it come to be? “[TK]” is a broken sonnet. It’s dedicated to the journalists who kept working during and after the mass shooting at The...
by WaterStone Review | Aug 17, 2020 | blog: all
In The Field: Conversations With Our Contributors–Tessa Livingstone Tell us about your poem “The Mystic Explains” in Volume 22. How did it come to be? “The Mystic Explains” was inspired by my favorite Tarot card, the Eight of Cups, which is said to represent...
by WaterStone Review | Aug 4, 2020 | blog: all
In The Field: Conversations With Our Contributors–Ed Bok Lee Tell us about your fiction piece “The Ferryman” in Volume 22. How did it come to be? This short story about a group of Asian American friends (from all different cultural and ethnic backgrounds) is one...
by WaterStone Review | Jul 20, 2020 | blog: all
In The Field: Conversations With Our Contributors–Morgan Grayce Willow Tell us about your CNF piece “(Un)document(ing)” in Volume 22. How did it come to be? I had been trying to come to terms with my own complicity in the theft of land from Native peoples. Each...
by WaterStone Review | Jul 6, 2020 | blog: all
In The Field: Conversations With Our Contributors–Purvi Shah Tell us about your poem “Moving houses, Maya pumps a music that cannot offer” in Volume 22. How did it come to be? In some ways, I have an unusual New York City story – which is that I’ve lived in my...
by WaterStone Review | Jun 30, 2020 | blog: all
The Art of the Book Review, By Stan Sanvel Rubin Earlier this year, we began to mull over the idea of highlighting the creative process of our poetry and CNF book reviewers, Stan Sanvel Rubin and Barrie Jean Borich. We wanted to devote a space to allow these long time...
by WaterStone Review | Jun 22, 2020 | blog: all
In the Field: Conversations With Our Contributors–Juan Morales Tell us about your fiction piece “The Saddest Song” in Volume 22. How did it come to be? The piece is based on a real grad school experience when I taught one of my first classes in a theater...
