In The Field: Conversations With Our Contributors—Steve Castro
You have two poems in Volume 28 of Water~Stone, “Postcard from the Central American Town I grew up in before I learned to speak English,” and “Most likely an imperative from a Confederate soldier’s descendant.” How did these poems come about? Long titles, huh? “Most...
Older Posts:
In The Field: Conversations With Our Contributors—Cristina Herrera Mezgravis
Where did your inspiration for your fiction piece, “Ninina,” come from? I drew inspiration for “Ninina” from my own relationship with different women in my life—my mother, tías, and abuelas. Like Nina, I was also once a female teenager growing up in a sexist society...
In The Field: Conversations With Our Contributors—Stephanie Early Green
Your fiction piece tells the story of Sabrina, who begins a new job after the trauma of her last one where she was forced into sex work. Where did the idea of “Nojento” come from? Why did you set it at a summer camp? The idea for this story sprang almost fully formed...
In The Field: Conversations With Our Contributors—Sasha (Oleksandra) Lavrenchuk
Your poems, “Algae” (Algae untranslated) and “Babylon,” (Babylon untranslated) blend distinctly sharp images with emotion. How have you honed your writing and editing over the years into these poignant pieces? Thank you, Jenn. I’ve been writing since I was a...
In The Field: Conversations With Our Contributors—Janée J. Baugher
Your poem, “Andrew Wyeth’s Footnotes to Goodbye My Love 2008,” blends loss and love in a unique format. What inspired this poem from the painting of Wyeth’s? What made you choose the format of footnotes for this poem? Wyeth was born in 1917. By the time he painted...
In The Field: Conversations With Our Contributors—Sadie Dupuis
What is the story behind your poem, “Most of Last Year and the Years Before It,” that appears in Volume 27? I wrote this poem in March 2024, in response to Philadelphia mayor Cherelle Parker’s ongoing bungling of harm reduction in our city. Parker had announced...
In The Field: Conversations With Our Contributors—JC Talamantez
Welcome back to Water~Stone! You had a piece last year, “Learning to Live With a Clockwork Orange,” in Volume 26. This year, your poem, “Half-Life of Krill,” puts oceanic and celestial imagery on the page. What gave you inspiration for this piece? Where did the...
In The Field: Conversations With Our Contributors—Sam Stokley
What was the spark behind your poem, “Ark/ee/awl/uh/gee,” that appears in Volume 27? The spark was an ancient, buried loneliness that hit me while I was at home on an average day. Other disabled people might experience a similar feeling at times—knowing that every day...
In The Field: Conversations With Our Contributors—Amy Pence
Your poem, “Red Oak, Black Oak” blends nature and family into a real family tree. Where did the inspiration for this piece come from? Thank you for these questions, Jenn. I wrote the poem looking out a picture window in my previous home. I faced 100 acres of woods: in...