In The Field: Conversations With Our Contributors—Davi Gray
Your poem, “Caravan of Wounds,” crafts a dramatic setting and builds a world where pain and injury are clearly visible. Where did the inspiration for this piece come from? I have consumed a lot of dread-inspiring media, more written words than anything else, but it...
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In The Field: Conversations With Our Contributors—Ryan Habermeyer
Your nonfiction piece, Only Matter, juxtaposes the death of a girl you knew with Lenin’s preservation. What was the impetus to blend these ideas together on the page? It was a weird writing experience. For a very long time I tried and failed to write about my friend’s...
A Conversation with Joan Naviyuk Kane—WSR Contributing Poetry Editor
Water~Stone Review is a collaborative project of students, faculty, and staff at Hamline University Creative Writing Programs. In addition to working with our faculty, and to fulfill a larger initiative of providing a place for new/emerging and underrepresented voices...
In The Field: Conversations With Our Contributors—Todd Davis
Your poem, “Deposition: What Was Lost,” brings grief to the page with gentle, yet visceral, imagery, blending every other phrase with life and death. There’s a very cyclical feeling to the poem with these images. How did you find that pattern when writing this piece?...
In the Field: Conversations With Our Contributors—Danielle Decatur
Your wonderful fiction piece, “Lies on the Lips,” shows your main character Nell’s quiet transformation into confidence (and a little past that) with the help of a pair of marker-drawn lips. Where did this idea come from? The idea of Nell came to me first. I wanted to...
In The Field: Conversations With Our Contributors—Teresa Carmody
Your beautifully braided nonfiction piece, “Reading the Deck with Zora Neale Hurston,” speaks about the trauma of growing up in a house where you were not accepted. You deftly layer personal details and history lessons, weaving “Their Eyes Were Watching God”...
In the Field: Conversations With Our Contributors—Rebecca Johnson
“Daybreak Comes and I Offer Light,” opens Volume 26 of Water~Stone. Your poem speaks to watching a parent grow older, and the emotional difficulties that accompany that, a longing to return to an earlier time. What was the impetus of this poem? Have you done other...
A Conversation with Kathryn Savage—WSR Contributing Creative Nonfiction Editor
Water~Stone Review is a collaborative project of students, faculty, and staff at Hamline University Creative Writing Programs. In addition to working with our faculty, and to fulfill a larger initiative of providing a place for new/emerging and underrepresented voices...
A Conversation with Juan Carlos Reyes—WSR Contributing Fiction Editor
Water~Stone Review is a collaborative project of students, faculty, and staff at Hamline University Creative Writing Programs. In addition to working with our faculty, and to fulfill a larger initiative of providing a place for new/emerging and underrepresented voices...