by WaterStone Review | Nov 18, 2024 | featuredpost
In The Field: Conversations With Our Contributors—MICHAEL CHANG Your poem, “Orchestra Maneuvers in the Dark,” creates an overlapping conversation and giving of information. Where did the inspiration for this poem come from? The starting point for all of my work...
by WaterStone Review | Nov 14, 2024 | featuredpost
A Conversation with Joni Tevis—WSR Contributing Nonfiction Editor Water~Stone Review is a collaborative project of students, faculty, and staff at Hamline University Creative Writing Programs. In addition to working with our faculty, and to fulfill a larger initiative...
by WaterStone Review | Oct 15, 2024 | featuredpost
A Conversation with Jose Hernandez Diaz—WSR Contributing Poetry Editor Water~Stone Review is a collaborative project of students, faculty, and staff at Hamline University Creative Writing Programs. In addition to working with our faculty, and to fulfill a larger...
by WaterStone Review | Oct 14, 2024 | blog: all
In The Field—Conversations With Our Contributors: J. D. Debris Your poem, “Song of Solomon” in Volume 26, brings to life vivid images. What sparked the creation of this piece? Appreciate that comment. The poem takes its title from Toni Morrison’s Song of Solomon, as...
by WaterStone Review | Jul 30, 2024 | featuredpost
In The Field: Conversations With Our Contributors—Robert Grunst There’s a beautiful peace in your poem “Blue Aster Seeds” that draws the reader into this moment of watching seeds whirl. I love how it takes a moment—a breath of air and seeds—and creates an entire...
by WaterStone Review | Jul 22, 2024 | featuredpost
In The Field: Conversations With Our Contributors—DeMisty Bellinger Your poem, “Ode to That Turquoise Bra,” has a whimsical feel, yet also carries the gravity of honoring and thanking this piece of clothing. What inspired this poem? Firstly, thank you for inviting me...
by WaterStone Review | Jul 15, 2024 | blog: all
In The Field: Conversations With Our Contributors—A. K. Herman Your story, “Love,” which appears in Volume 26 of Water~Stone, is a chapter of a longer work. What inspired this piece? Where does this chapter fall in the story? What made you choose this...
by WaterStone Review | Jul 8, 2024 | blog: all
In The Field: Conversations With Our Contributors—Dan Albergotti Your poem, “On the Third Stanza of a Poem by F. S. Key,” blends today’s history of the last election with the beginning of our country. What caused you to weave these two events together? What brought...
by WaterStone Review | Jul 1, 2024 | featuredpost
In The Field: Conversations With Our Contributors—Marie-Elizabeth Mali Your poem, “Mirror,” studies the fascination with underwater life—particularly brain coral—during a first dive. What prompted you to set this poem down on paper? Since that initial dive in Bonaire,...
by WaterStone Review | Jun 24, 2024 | featuredpost
In The Field: Conversations With Our Contributors—Joseph O. Legaspi Your poem, “Weeding/Wedding,” is a beautiful twining of etymology and gardening. What inspired this poem? The poem was inspired by my actually gardening—weeding, to be more precise. I was at Space on...
by WaterStone Review | Jun 17, 2024 | featuredpost
In The Field: Conversations With Our Contributors—Catherine Pierce You have two poems in Volume 26: “I Wonder if the Guy Who Catcalled Me in the Blockbuster Parking Lot When I Was 15 Ever Thinks About That,” and “Perfection™.” These two poems detail separate events,...
by WaterStone Review | Jun 4, 2024 | blog: all
In The Field: Conversations With Our Contributors–Jax Connelly Your nonfiction piece “Not So Soft,” which appears in Volume 26, weaves running, sisterhood, eating disorders, and loss together. Your work is uniquely descriptive—“The ground is violent with leaves,” and...
by WaterStone Review | May 28, 2024 | blog: all
In The Field: Conversations With Our Contributors—Elise Paschen Your poem, “Divination,” is a gorgeous blend of imagery, myth, and spring welcoming. Where did the spark for this poem come from? Thank you! During the pandemic, our family moved to a house in rural...
by WaterStone Review | May 14, 2024 | blog: all
In The Field: Conversations With Our Contributors—luna rey hall Your poem, “wearing a dress for the first time,” is rich with tension. The first phrase, “do you want me to be honest?” carries so much emotional weight. What prompted you to start with this question? i...
by WaterStone Review | May 7, 2024 | featuredpost
In The Field: Conversations With Our Contributors—Jenifer Browne Lawrence Your poem from Volume 26, “Reading Alone in a Square Room,” is a tightly-crafted, highly imagistic piece that leaves readers feeling refreshed. What was the inspiration behind this poem? This...
by WaterStone Review | Apr 30, 2024 | blog: all
In The Field: Conversations With Our Contributors—Michael Levy Your nonfiction piece, “Abscission,” details your grandmother’s life and your relationship with her as she aged. It asks the question what memories we will recall later in life. What prompted you to write...
by WaterStone Review | Apr 16, 2024 | blog: all
In The Field: Conversations With Our Contributors—Jennifer Martelli “The Hunter,” is a beautiful poem that uses many sensory images; you bring us to this ideal summer’s eve in the work. When did you first start writing this piece, and where did the spark to write it...
by WaterStone Review | Apr 15, 2024 | blog: all
In The Field: Conversations With Our Contributors—David Melville Your poem “Shelter” in Volume 25 focuses on the experience of two young boys who find a doe trapped in a coyote snare. What was the inspiration behind this poem? How did it come to be? This poem...
by WaterStone Review | Apr 9, 2024 | blog: all
In The Field: Conversations With Our Contributors—Teri Ellen Cross Davis You have two poems in V26 of Water~Stone, “River Phoenix at 46” and “The Brain Confesses About Those Six Weeks.” With “River Phoenix,” I feel like I get something new from the text every...
by WaterStone Review | Apr 2, 2024 | blog: all
In The Field: Conversations With Our Contributors—JC Talamantez When did you first get the idea to weave your poem about sexual assault and rape with the violent film, “A Clockwork Orange?” I suppose it’s partly because I’m fascinated with that film’s complex...
