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In The Field: Conversations With Our Contributors—Sheila McMullin

In The Field: Conversations With Our Contributors—Sheila McMullin

by WaterStone Review | Aug 1, 2025 | blog: all

In The Field: Conversations With Our Contributors—Sheila McMullin   Your poem “Thank You” blends the telling of past histories and the present conflict in a relationship, as well as imaginative statements. What was your inspiration for this poem? What was your...
In The Field: Conversations With Our Contributors—Judy Kaber

In The Field: Conversations With Our Contributors—Judy Kaber

by WaterStone Review | Jul 23, 2025 | blog: all

In The Field: Conversations With Our Contributors—Judy Kaber Your poem that appears in Volume 27, “Cracking the Lid,” is after Lois Dodd’s painting “Lifting the Lid.” What drew you to that painting, and what sparked this piece from it? Do you often find inspiration...
In The Field: Conversations With Our Contributors—G C Waldrep

In The Field: Conversations With Our Contributors—G C Waldrep

by WaterStone Review | Jul 2, 2025 | blog: all

In The Field: Conversations With Our Contributors—G C Waldrep   Your poems, “Night 410” and “Night 550” are from a work titled Plague Nights. What does Plague Nights entail? As with every other writer and artist I know, the lockdowns of...
In The Field: Conversations With Our Contributors—Jana-Lee Germaine

In The Field: Conversations With Our Contributors—Jana-Lee Germaine

by WaterStone Review | Jun 19, 2025 | blog: all

In The Field: Conversations With Our Contributors—Jana-Lee Germaine   “February at the Johnsons’” is about a woman going through a divorce. Where did this poem come from? I was right out of college when I married for the first time. It was a disaster, an...
In The Field: Conversations With Our Contributors—Sasha (Oleksandra) Lavrenchuk

In The Field: Conversations With Our Contributors—Sasha (Oleksandra) Lavrenchuk

by WaterStone Review | Jun 3, 2025 | blog: all

In The Field: Conversations With Our Contributors—Sasha (Oleksandra) Lavrenchuk   Your poems, “Algae” (Algae untranslated) and “Babylon,” (Babylon untranslated) blend distinctly sharp images with emotion. How have you honed your writing and editing over the years...
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